Guest Artist

Alfred Walker

Lauded by Opera News for his “inky bass-baritone and clear projection seemed ideally suited to the role, capturing this isolated man’s passion with telling grief,” Alfred Walker sings his first performances of Wotan in Das Rheingold with North Carolina Opera and Méphistophélès in Berlioz’s La damnation du Faust at the Teatro Municipal de Santiago as well as creates the title role of Josh Gibson in the world premiere of Sonenberg’s The Player King with Pittsburgh Opera in the 2016-17 season. He also makes his debut as Porgy in Porgy and Bess with the Sydney Symphony and his other concert performances include Beethoven’s Symphony No. 9 with the Phoenix Symphony. Last season, he joined Oper Köln for one of his most oft-performed roles, Der fliegende Holländer and the Komische Oper Berlin as the Four Villains in Kosky’s new production of Les contes d’Hoffmann. He returned to Seattle Opera for further performances of Der fliegende Holländer and Utah Opera for Amonasro in Aida. He also joined the New Japan Philharmonic for Bluebeard in Bluebeard’s Castle and the Caramoor International Music Festival as Pizarro in Fidelio and sang Beethoven’s Symphony No. 9 with the Vancouver Symphony Orchestra and Verdi’s Requiem with the Boston Philharmonic.

The bass-baritone recently triumphed as the title role in Der fliegende Holländer at Theater Basel and returned to the company for his first performances of both Amfortas in Parsifal and Amonasro in Aida. Other recent performances include Kurwenal in Tristan und Isolde at Angers Nantes Opera and Opéra de Dijon; the title role of Der fliegende Holländer with Théâtre de Caen, Grand Théâtre de Luxembourg Boston Lyric Opera, and the Wagner Geneva Festival; Creonte in Medea with the Opéra national de Lorraine; Four Villains in Les contes d’Hoffmann with Den Norske Opera; and Il Prologo in Gnecchi’s Cassandra with the Deutsche Oper Berlin. His celebrated characterization of Orest in Elektra has been seen at Teatro alla Scala, Seattle Opera, Deutsche Oper Berlin, and Spain’s San Sebastián Festival and he received great acclaim for performances of Allazim in the Peter Sellars’ production of Zaide at the Festival d’Aix-en-Provence, Wiener Festwochen, London’s Barbican Center, and Lincoln Center’s Mostly Mozart Festival. He sang Telramund in concert performances of Lohengrin in Oviedo, Spain under the baton of Semyon Bychkov and later joined the conductor and the WDR Sinfonie Orchester Köln for Lodovico in Otello. In lesser-known repertoire, he sang Kunrad in Feuersnot with the American Symphony Orchestra and König Karl in Schubert’s Fierrabras at the Bard Music Festival.

Additional highlights of recent seasons include his Los Angeles Opera debut as Porgy in Porgy and Bess; title role of Don Quichotte, Four Villains in Les contes d’Hoffmann with Seattle Opera and Tulsa Opera; Méphistophélès in Faust also with Tulsa Opera; Achilla in Giulio Cesare and Colline in La bohème with San Diego Opera, Atlanta Opera, and New Orleans Opera; Leporello in Don Giovanni with Opera North; Raimondo in Lucia di Lammermoor with Palm Beach Opera, Banquo in Macbeth with Minnesota Opera; Donner in Das Rheingold with New Orleans Opera; and Sarastro in Die Zauberflöte with Minnesota Opera and Utah Opera. Also a frequent presence on the Metropolitan Opera stage, he recently returned to the famed house for Parsi Rustomji in its first presentation Satyagraha in addition to joining the company for its productions of Bluebeard’s CastleIl trovatoreElektra, Le nozze di FigaroRoméo et JulietteDon GiovanniSamson et DalilaPelléas et Mélisande, Les Troyens, and L’enfant et les sortilèges.

Mr. Walker is an equally versatile concert artist. He has sung Beethoven’s Symphony No. 9 and Verdi’s Requiem with the Atlanta Symphony Orchestra under the baton of Robert Spano as well as the Stuttgarter Philharmoniker, Utah Symphony, Louisiana Philharmonic, and at the Sun Valley Music Festival. He has joined the Boston Symphony Orchestra for Rossini’s Stabat Mater as well as previously for Porgy in Porgy and Bess in performances conducted by Bramwell Tovey at Tanglewood and in Boston, the Grant Park Music Festival for Shostakovich’s The Execution of Stepan Razin and Elgar’s The Kingdom, the Handel and Haydn Society for Mozart’s Requiem, American Symphony Orchestra in Alice Tully Hall for Mahler’s Kindertoten-Lieder and Rückert-Lieder, and Los Angeles Philharmonic for and Toronto Symphony Orchestra for Porgy in a concert performance of Porgy and Bess. Other concert performances include his debut with the New York Philharmonic Orchestra and Sir Colin Davis in Beatrice et Benedict; Verdi’s Requiem with Marin Alsop conducting the Baltimore Symphony Orchestra, at Spoleto Festival U.S.A, and with the Greensboro Symphony and Reno Philharmonic; performances with the Boston Symphony Orchestra in Carnegie Hall; and a concert performance of Strauss’ Salome at the Tanglewood Festival with Seiji Ozawa. He has also presented recitals at the Manchester Music Festival. His recording credits include another collaboration with Semyon Bychov and the WDR Sinfonie Orchester Köln for Orest in Elektra on the Hybrid label as well as performances on Placido Domingo’s CD of Verdi tenor arias for Deutsche Grammophon.

A graduate of Dillard University, Loyola University, and the Metropolitan Opera Lindemann Young Artist Program, the New Orleans native is the recipient of awards from the George London Foundation, Palm Beach Opera Competition, Houston Opera Studio’s Eleanor McCollum Competition, and the Sullivan Foundation career grant.